Also considered are the movements for painted-dial clocks and who made them — a topic that has received little attention, despite the growing interest in this type of clock.
How a longcase clock was actually made in the eighteenth-century is discussed and compared with present-day methods.
Several chapters detail movements, both their time-keeping and striking systems, with numerous variations.
He was awarded the British Horological Institute’s 2007 Barratt Silver Medal for his contributions to horological research, writing and publishing.
All of our Longcase Clocks offered for sale are fully restored and guaranteed for 12 months.
A very fine, late 18C, brass dial, 8 day, long door, mahogany longcase clock with rare small MOONPHASE indicator to arch, set in a painted pastoral scene. A very good late 18C/early 19C flame mahogany longcase clock with pagoda top, trunk quarter columns, 8 day MOONPHASE movement ( showing High Water at London Bridge ) and typical "London" two step plinth to base by Tanner of London - a seemingly unrecorded maker. A very good, very typically "Bristol," superior quality, string inlaid, mahogany, longcase clock with swan neck pediment by John Warry of Bristol circa 1815. A very good, very typically 'Lancashire' long door richly patinated, flame mahogony longcase clock with swan neck pediment, circa 1770.